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The trombone: an introduction

Simon Gunton playing the trombone

In Western classical music the trombone can play both sinister and comic roles

The trombone

THE TROMBONE PLAYS MANY ROLES and appears in many different types of music. In the 17th and 18th centuries it was mainly used in Western classical church music and composers such as Mozart used it in their Requiems and operas.

In Mozart’s opera Don Giovanni and Christoph Gluck’s ballet Don Juan the trombone is used to represent the hero’s descent into hell. Gluck also used it in the ‘oracle’ scenes of his opera Alceste.

In more recent times the trombone has shed its religious associations and been used both in Western classical music and jazz. It has also been used as a comic instrument because of its ability to play slow and rapid glissandos (these are slides between one note and the next).

In more recent times the trombone has shed its religious associations and been used both in Western classical music and jazz. It has also been used as a comic instrument because of its ability to play slow and rapid glissandos (these are slides between one note and the next). Shostakovich’s use of it in his opera Lady Macbeth of Mtsensk got him into a great deal of political trouble because he used it too suggestively in some of the more erotic scenes.

In Western classical music the trombone is seldom heard as a soloist in concertos, but there are a number of important orchestral solos given to the instrument. It's as a prominent member of the brass section of an orchestra that the trombone is most often seen, and more obviously, heard. It can be a very loud instrument, but need not be.

Few trombone players began their musical lives playing the trombone because it’s such a big instrument. Some come to it through playing another instrument in either a brass band or a Salvation Army band. Band music has helped provide a good deal of trombone repertoire, and has even helped develop its technique.

Simon Gunton talks about how he started playing the trombone.

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